For in this, assuredly not the
least important department of the nation's life, we are witnessing week
by week and year by year, what in the light of the security guaranteed by
the Censorship of Drama, we are justified in terming an alarming
spectacle. Thousands of men are licensed to proclaim from their pulpits,
Sunday after Sunday, their individual beliefs, quite regardless of the
settled convictions of the masses of their congregations. It is true,
indeed, that the vast majority of sermons (like the vast majority of
plays) are, and will always be, harmonious with the feelings--of the
average citizen; for neither priest nor playwright have customarily any
such peculiar gift of spiritual daring as might render them unsafe
mentors of their fellows; and there is not wanting the deterrent of
common-sense to keep them in bounds. Yet it can hardly be denied that
there spring up at times men--like John Wesley or General Booth--of such
incurable temperament as to be capable of abusing their freedom by the
promulgation of doctrine or procedure, divergent from the current
traditions of religion. Nor must it be forgotten that sermons, like
plays, are addressed to a mixed audience of families, and that the
spiritual teachings of a lifetime may be destroyed by ten minutes of
uncensored pronouncement from a pulpit, the while parents are sitting,
not, as in a theatre vested with the right of protest, but dumb and
excoriated to the soul, watching their children, perhaps of tender age,
eagerly drinking in words at variance with that which they themselves
have been at such pains to instil.
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