Indeed, it appears to me," I said,
"that on the one hand there are people who have a power of moral
discrimination, when dealing with the retrospect of their actions, but
no power of obeying the claims of principle, when confronted with a
situation involving moral strain; while on the other hand there seem to
me to be some few men with a great and resolute power of will, capable
of swift decision and firm action, but without any instinct for morality
at all."
"Yes," he said, "you are quite right. The moral sense is in reality a
high artistic sense. It is a power of discerning and being attracted by
the beauty of moral action, just as the artist is attracted by form and
colour, and the musician by delicate combinations of harmonies and the
exquisite balance of sound. You know," he said, "what a suspension is in
music--it is a chord which in itself is a discord, but which depends for
its beauty on some impending resolution. It is just so with moral
choice. The imagination plays a great part in it. The man whose
morality is high and profound sees instinctively the approaching
contingency, and his act of self-denial or self-forgetfulness depends
for its force upon the way in which it will ultimately combine with
other issues involved, even though at the moment that act may seem to be
unnecessary and even perverse.
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