As by the power of speech, men may
pass from the common tone of conversation up to the melodious strains
of music, or may soar in flights of oratory into the sublime, until
the multitude is entranced; so the capabilities of the pen are not
limited to the common uses of life, but may take on forms of beauty in
elegant outlines of bird, or landscape, or graceful swan or bounding
stag.
Ornamental writing is not a practical art, and has no connection
whatever with the practical business of life. It is in the realm
of poetry. The imagery of graceful outlines must first be seen by a
poetic imagination. While the great masses may acquire a good style
of plain, practical penmanship, few have the necessary conception
of mind, combined with the skill and dexterity of hand to become
successful ornamental penmen.
The ornamental pages which follow are given, not as models for
imitation or practice by the learner, but merely to show the
possibilities of the pen in the hand of a master, and as a fitting
closing to this, our chapter on penmanship.
To any one who may have an artistic quality of mind, and delights
in beautiful lines and harmonious curves, these pages of ornamental
penmanship will serve as models for practice and imitation, and every
attempt at such an exercise as the one on this, or the following
pages, will give greater strength and freedom of movement, and better
command of the pen, so that it will conduce to an easy, flowing
and elegant style of plain business writing, while affording a most
pleasant and profitable employment in the cultivation of the taste.
Pages:
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34