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"From John O'Groats to Land's End"


The church tower was one hundred feet high, surmounted by an unusually
tall pinnacle at each corner, the figure of a saint appearing in a
niche, presumably for protection. Kenton must have been a place of some
importance in early times, for Henry III had granted it an annual fair
on the feast of All Saints. The magnificent screen in the church not
only reached across the chancel, but continued across the two transepts
or chapels on either side, and rose in tiers of elaborate carving
towards the top of the chancel arch. No less than forty of its panels
retained their original pictures of saints and prophets, with scrolls of
Latin inscriptions alternating with verses from the Old Testament and
clauses from the Apostles' Creed. Most of the screen was
fifteenth-century work, and it was one of the finest in the county; much
of the work was Flemish. On it were images of saints, both male and
female, and of some of the prophets, the saints being distinguishable by
the nimbus or halo round their heads, and the prophets by caps and
flowing robes after the style of the Jewish costumes in the Middle Ages.
There was also a magnificent pulpit of about the same date as the
screen, and so richly designed as to equal any carved pulpit in Europe.


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