He sees in the man something
which the sun does not exhibit, and makes that something shine on
the canvas. The artist in literature sees an ideal humanity, and
interprets it. Realism in literature does not portray the real man.
Anthony Trollope pictures the Englishman as he is to-day, and society
as any man may take it with a kodak; but Dickens gives Toby Veck and
Tiny Tim; George Eliot, Adam Bede and Dinah Morris. Men say that no
such boy ever lived as MacDonald has portrayed in Sir Gibbie. In every
street Arab is a possible Sir Gibbie; and MacDonald has seen the
possible and shown us what Christianity may make out of a street
Arab. In this perception of a possible in man lies the spirit of all
progress in science. The man of practical science laughs at the notion
of an iron railway on which steam cars shall travel faster than
English coaches. But the man of faith in men, who believes that it is
in the power of men to dominate the powers of nature, builds the road.
The man of practical science laughs at the notion that we can reach up
our hands into the clouds and draw down the lightning.
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