Hugh d'Argent was kneeling before the altar, his folded hands resting
upon the cross on the hilt of his sword, when the faint sound of a key
turning in a distant lock, caught his ear.
Then up the steps and across the crypt passed, in silent procession,
the White Ladies of Worcester.
There was something ghostly and awe-inspiring about those veiled
figures, moving noiselessly among the pillars in the dimly-lighted
crypt; then vanishing, one by one, up the winding stairway in the wall.
The Knight did not stir. He stayed upon his knees, his hands clasped
upon his sword-hilt; but he followed each silent figure with his eyes.
The last had barely disappeared from view when, from above, came the
solemn chanting of monks and choristers.
This harmony, descending from above, seemed to uplift the soul all the
more readily, because the sacred words and noble sounds reached the
listener, unhampered by association with the personalities, either
youthful or ponderous, of the singers. All that was of the earth
remained unseen; while that which was so near akin to heaven, entered
the listening ear.
Kneeling in lowly reverence with bowed head, the Knight found himself
wondering whether the ascending sounds reached that distant gallery in
the clerestory where the White Ladies knelt, as greatly softened,
sweetened, and enriched, as they now came stealing down into the crypt.
Were the hearts of those veiled worshippers also lifted heavenward;
or--being already above the music--did the ascending voices rather tend
to draw them down to earth?
Upon which the Knight fell to meditating as to whether that which is
higher always uplifts; whereas that which is lower tends to debase.
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