"I don't see the 'of course' at all."
"Why, did you ever know a conceited man dare to praise a picture?
The one thing he dreads (next to not being noticed) is to be proved
fallible! If you once praise a picture, your character for
infallibility hangs by a thread. Suppose it's a figure-picture, and
you venture to say 'draws well.' Somebody measures it, and finds one of
the proportions an eighth of an inch wrong. You are disposed of as a
critic! 'Did you say he draws well?'
your friends enquire sarcastically, while you hang your head and blush.
No. The only safe course, if any one says 'draws well,' is to shrug
your shoulders. 'Draws well?' you repeat thoughtfully. 'Draws well?
Humph!' That's the way to become a great critic!"
Thus airily chatting, after a pleasant drive through a few miles of
beautiful scenery, we reached the rendezvous--a ruined castle--where
the rest of the picnic-party were already assembled. We spent an hour
or two in sauntering about the ruins: gathering at last, by common
consent, into a few random groups, seated on the side of a mound,
which commanded a good view of the old castle and its surroundings.
The momentary silence, that ensued, was promptly taken possession of or,
more correctly, taken into custody--by a Voice; a voice so smooth,
so monotonous, so sonorous, that one felt, with a shudder, that any
other conversation was precluded, and that, unless some desperate
remedy were adopted, we were fated to listen to a Lecture, of which no
man could foresee the end!
The speaker was a broadly-built man, whose large, flat, pale face was
bounded on the North by a fringe of hair, on the East and West by a
fringe of whisker, and on the South by a fringe of beard--the whole
constituting a uniform halo of stubbly whitey-brown bristles.
Pages:
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152