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White, Stewart Edward, 1873-1946

"The Forest"

We understood now,
we felt the imminence of the Long Trail. For the first time the little
brick, tawdry town gripped our hearts with the well-known thrill of the
Jumping-Off Place. Suddenly the great, simple, unashamed wilderness
drew near us as with the rush of wings.


IV.
ON MAKING CAMP.
"Who hath smelt wood-smoke at twilight? Who hath
heard the birch log burning?
Who is quick to read the noises of the night?
Let him follow with the others, for the young men's feet are turning
To the camps of proved desire and known delight."

In the Ojibway language _wigwam_ means a good spot for camping, a
place cleared for a camp, a camp as an abstract proposition, and a camp
in the concrete as represented by a tent, a thatched shelter, or a
conical tepee. In like manner, the English word _camp_ lends
itself to a variety of concepts. I once slept in a four-poster bed over
a polished floor in an elaborate servant-haunted structure which,
mainly because it was built of logs and overlooked a lake, the owner
always spoke of as his camp. Again, I once slept on a bed of prairie
grass, before a fire of dried buffalo chips and mesquite, wrapped in a
single light blanket, while a good vigorous rain-storm made new cold
places on me and under me all night. In the morning the cowboy with
whom I was travelling remarked that this was "sure a lonesome
proposition as a camp."
Between these two extremes is infinite variety, grading upwards through
the divers bivouacs of snow, plains, pines, or hills to the bark
shelter; past the dog-tent, the A-tent, the wall-tent, to the elaborate
permanent canvas cottage of the luxurious camper, the dug-out winter
retreat of the range cowboy, the trapper's cabin, the great log-built
lumber-jack communities, and the last refinements of sybaritic summer
homes in the Adirondacks.


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