The acting before them was more
realistic than anything they had ever seen, or were ever likely to see
again in La Touche. All three conspirators, Fergus, Holden, and Jopp,
realised that O'Ryan's acting had behind it an animal anger which
transformed him. When he looked into their eyes it was with a steely
directness harder and fiercer than was observed by the audience. Once
there was occasion for O'Ryan to catch Fergus by the arm, and Fergus
winced from the grip. When standing in the wings with Terry he ventured
to apologise playfully for the joke, but Terry made no answer; and once
again he had whispered good-naturedly as they stood together on the
stage; but the reply had been a low, scornful laugh. Fergus realised
that a critical moment was at hand. The play provided for some dialogue
between Jopp and Terry, and he observed with anxiety that Terry now
interpolated certain phrases meant to warn Constantine, and to excite
him to anger also.
The moment came upon them sooner than the text of the play warranted.
O'Ryan deliberately left out several sentences, and gave a later cue, and
the struggle for his capture was precipitated.
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