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Boyesen, Hjalmar Hjorth, 1848-1895

"Essays on Scandinavian Literature"

Scarcely a trace was there left of that peculiar and
delightful language of his early novels, which can only be described by
the term "Bjoernsonian."
"Dry, prosaic, trivial," said the reviewers; "Bjoernson has evidently
worked out his vein. He has ceased to be a poet. He has lost with his
childhood's faith his ideal view of life, and become a mere prosy
chronicler of uninteresting everyday events."
This was, indeed, the general verdict of the public twenty years ago.
Scarcely anyone had a good word to say for the abused play that marked
the poet's fall from the idealism of his early song. But, for all that,
"Bankruptcy" made a strong impression upon the boards. It not only
conquered a permanent place in the _repertoires_ of the theatres of the
Scandinavian capitals, but it spread through Austria, Germany, and
Holland, and has finally scored a success at the _Theatre Libre_ in
Paris. There is scarcely a theatre of any consequence in Germany which
has not made "Bankruptcy" part of its _repertoire_.


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