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Boyesen, Hjalmar Hjorth, 1848-1895

"Essays on Scandinavian Literature"

Though pictorial art has not,
outside of Russia (where the great and unrivalled Riepin paints the
peasant with the brush as remorselessly as Tolstoi and Dostoyefski with
the pen), kept pace with the realistic movement in literature, yet there
is no lack of evidence that the rose-colored tinge is vanishing even
from the painter's spectacles; and such uncompromising veracity as that
of Millet and Courbet, which the past generation despised, is now hailed
with acclaim in such masters as Bastien-Lepage, Dagnan-Bouveret, and
the Scandinavians, Kristian Krog and Anders Zorn.
Bjoernson is, however, temperamentally averse to that modern naturalism
which insists upon a minute fidelity to fact without reference to
artistic values. His large and spacious mind has a Southern exposure,
and has all "its windows thrown wide open to the sun." A sturdy
optimism, which is prone to believe good of all men, unless they happen
to be his political antagonists, inclines him to overlook what does not
fit into his own scheme of existence.


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