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MacDonald, George, 1824-1905

"A Dish of Orts : Chiefly Papers on the Imagination, and on Shakespeare"

It is the polished ebony or jet which gives the
true blank, the material darkness. It is the polished steel that shines
keen and remorseless and cold, like that human justice whose symbol it
is. And in the polished diamond the distinctive purity is most evident;
while from it, I presume, will the light absorbed from the sun gleam
forth on the dark most plentifully.
But the mere fact that the end of polish is revelation, can hardly be
worth setting forth except for some ulterior object, some further
revelation in the fact itself.--I wish to show that in the symbolic use
of the word the same truth is involved, or, if not involved, at least
suggested. But let me first make another remark on the preceding
definition of the word.
There is no denying that the first notion suggested by the word polish
is that of smoothness, which will indeed be the sole idea associated
with it before we begin to contemplate the matter. But when we consider
what things are chosen to be "clothed upon" with this smoothness, then
we find that the smoothness is scarcely desired for its own sake, and
remember besides that in many materials and situations it is elaborately
avoided.


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