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MacDonald, George, 1824-1905

"A Dish of Orts : Chiefly Papers on the Imagination, and on Shakespeare"

She and her fighting soul are
at odds. She is a kingdom divided against itself. He fears the
consequences. He would not have her go mad. He would not have her die
yet. Even while ready to start at the summons of that hell to which she
has sold him, he forgets his vengeance on her seducer in his desire to
comfort her. He dares not, if he could, manifest himself to her: what
word of consolation could she hear from his lips? Is not the thought of
him her one despair? He turns to his son for help: he cannot console his
wife; his son must take his place. Alas! even now he thinks better of
her than she deserves; for it is only the fancy of her son's madness
that is terrifying her: he gazes on the apparition of which she sees
nothing, and from his looks she anticipates an ungovernable outbreak.
"But look; amazement on thy mother sits!
Oh; step between her and her fighting soul
Conceit in weakest bodies strongest works.
Speak to her, Hamlet."
The call to his son to soothe his wicked mother is the ghost's last
utterance. For a few moments, sadly regardful of the two, he
stands--while his son seeks in vain to reveal to his mother the presence
of his father--a few moments of piteous action, all but ruining the
remnant of his son's sorely-harassed self-possession--his whole concern
his wife's distress, and neither his own doom nor his son's duty; then,
as if lost in despair at the impassable gulf betwixt them, revealed by
her utter incapacity for even the imagination of his proximity, he turns
away, and steals out at the portal.


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