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MacDonald, George, 1824-1905

"A Dish of Orts : Chiefly Papers on the Imagination, and on Shakespeare"

So the dramatic genius that
harmonizes his play, is visible only in its effects; so ethereal in its
own essence that it refuses to be submitted to the analysis of the ruder
intellect, it is like the words of Nestor, for which in the picture
there stands but "thin winding breath which purled up to the sky." Take,
for an instance of this, the reconciling power by which, in the
mysterious midnight of the summer-wood, he brings together in one
harmony the graceful passions of childish elves, and the fierce passions
of men and women, with the ludicrous reflection of those passions in the
little convex mirror of the artisan's drama; while the mischievous Puck
revels in things that fall out preposterously, and the Elf-Queen is in
love with ass-headed Bottom, from the hollows of whose long hairy
ears--strange bouquet-holders--bloom and breathe the musk-roses, the
characteristic odour-founts of the play; and the philosophy of the
unbelieving Theseus, with the candour of Hippolyta, lifts the whole into
relation with the realities of human life. Or take, as another instance,
the pretended madman Edgar, the court-fool, and the rugged old king
going grandly mad, sheltered in one hut, and lapped in the roar of a
thunderstorm.


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