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MacDonald, George, 1824-1905

"A Dish of Orts : Chiefly Papers on the Imagination, and on Shakespeare"

Not merely in literature
does poetry come first, and prose afterwards, but poetry is the source
of all the language that belongs to the inner world, whether it be of
passion or of metaphysics, of psychology or of aspiration. No poetry
comes by the elevation of prose; but the half of prose comes by the
"massing into the common clay" of thousands of winged words, whence,
like the lovely shells of by-gone ages, one is occasionally disinterred
by some lover of speech, and held up to the light to show the play of
colour in its manifold laminations.
For the world is--allow us the homely figure--the human being turned
inside out. All that moves in the mind is symbolized in Nature. Or, to
use another more philosophical, and certainly not less poetic figure,
the world is a sensuous analysis of humanity, and hence an inexhaustible
wardrobe for the clothing of human thought. Take any word expressive of
emotion--take the word _emotion_ itself--and you will find that its
primary meaning is of the outer world. In the swaying of the woods, in
the unrest of the "wavy plain," the imagination saw the picture of a
well-known condition of the human mind; and hence the word _emotion_.


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